Archives: Screenwriting

Exposition Tips – Part One

Exposition Tips – Part One




These are the three enemies of exposition, the three adjectives that most commonly end up describing it. This occurrence seems to be driven by a belief that exposition is inherently boring; the writer ‘knows’ that people hate this stuff and so attempts to get it out the way as quickly and early on as possible.

In the worst cases, the final result is the infamous infodump: a scene in which the audience is smothered with information. This technique is not only unentertaining, unnatural, unmemorable – it is also completely self-defeating, as the boredom induced by it causes the audience to switch off and ignore the stuff they were supposed to be taking in.


Hey, Sy, is this a great life or what?


Vida loca, amigo!


Louise pays us to patrol these beaches. You know, one of the guys in the harbour told me about this dive spot which is just crawling with lobsters.

[From Shark Attack 3: Megalodon]

(Actually, it’s such a notoriously poor technique that it’s really hard to find genuine examples of it anymore, possibly because scripts that feature them just don’t get made.)

But it doesn’t have to be this way. Exposition doesn’t have to be a chore. In fact, learn to tame it, control it and it’ll put you streets ahead of the vast majority of screenwriters. First-

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Joffrey Baratheon: Creating the Hate

Joffrey Baratheon: Creating the Hate

With spoilers for: Game of Thrones, Seasons 1-3; Gladiator

Spoilers for Season 4 hidden; no book spoilers

A few months ago, I wrote a short piece on Jesse Pinkman and asked the question: are there any characters you hate because of their childlike nature? One commenter referred me to Joffrey Baratheon from Game of Thrones – and, yeah, fair enough.

Joffrey Baratheon on the Iron Throne

Joffrey’s basically Commodus without the murderous desire for love. Both are the cowardly sons of kings who never really cared for them; both have lives distorted by incest; both seize the throne dishonourably, killing the men who denied it from them.

He’s also, quite appropriately, one of the most despised characters in television history, which is intriguing when you consider how small his part is. (So far, he’s been in each season for less than half an hour – in fact, Season 4 has already given him the most screentime, despite the fact that he dies on the second episode.) So what is it about Joffrey that attracts so much hatred?

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Jesse Pinkman: A Lesson in Likeability

Jesse Pinkman: A Lesson in Likeability

With spoilers for: Breaking Bad – Season 1, Episode 1

Jesse Pinkman is not a good guy.

Pretty obvious statement really. I mean, the guy comes from a comfortable, middle-class family, goes to a fairly good school and still ends up as a drug dealer with a drug addiction. He’s the worst kind of person. Bad by choice.

And yet I can’t help but not want to write that. There’s something about his character which is so likeable it pacifies the rational, judgemental part of my brain and makes me want the best for him, makes him one of the heroes. So why is he such a likeable character?

Childlike Naivety

Everything about Jesse Pinkman shouts a kind of childish insolence. His clothes are gaudy and several sizes too big. He speaks in a slang vernacular, peppered with bitches and yos. He greets his elders with smart-ass adolescent backchat – which, naturally, lacks any real venom or sincerity, as it’s just a guise to hide his underlying vulnerability.

In fact, he comes across as being half his age a number of times, either through words (“cowhouse”, “the dude that sells Starbucks his beans”, always calling Walt “Mr White”) or by actions. You can take pretty much any screenshot of Jesse from the first three episodes and it’ll be there to emphasize his childlike nature.

This all goes to help us forgive Jesse for his shameful behaviour. We appreciate that he isn’t really a bad person, just ethically short-sighted – and this moral myopia may be corrected once he realises the full impact of his actions. His naivety, in a sense, promises moral development. I mean, the prodigal son didn’t return home only to start acting like a dick again, did he?

It could be that, or it could just be that we have a natural affection for kids, puppies, kittens and the people who remind us of them. I’d ask you: are there any characters you hate because of their immaturity? I can’t currently think of any, although I might turn to this question in another post.

Comic Relief

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